Public Art And Presentation In South Central LA
Phase 1: The Side
South Los Angeles is a community I have personal ties to, having grown up and had family connections in the area, and it is also one known for its rich cultural heritage. Its public art displays add a vibrancy that is hard to ignore. I chose Watts because it is often associated with crime and historical violence, but its art tells a different story based on resilience, pride, identity, and unity. The contrast between Watts' beauty and negative media portrayals makes it an important site to understand how art can dismantle negative perceptions and represent marginalized communities. There are many different kinds of artistic expressions in Watts, and its mural collection stands out the most.
Phase 2: Field Work
The fieldwork documents spread across Watts, from the Watts Historic Train Station on 103rd Street to the WLCAC campus on Central Avenue, reflecting how public art is woven throughout the neighborhood rather than concentrated in a single area. One of the best examples is Unity Under the Sun, a large 8-foot by 200-foot mural by Misteralek and Showzart located east of the Watts Historic Train Station, at the southeast corner of Graham Avenue and E. 103rd Street. This mural is painted directly onto a long exterior wall using spray paint and acrylic materials, which are commonly used for large-scale public murals. This mural promotes Black and Brown unity using strong imagery, such as joined hands and cultural symbols that resonate with both black and brown people. It was curated by a community activist who wanted to change the negative perceptions of Watts by informing society that black and brown people have shared histories and cultural connections, which celebrate community strength while using unity to challenge negative stereotypes. The mural mainly represents Black and Latino communities, while other groups appear less prominently. Additionally, the mural is community- rather thn corporate-sponsored. People's reactions to the mural appear positive, as many of them stop to view and interact with the artwork. Other notable murals in Watts show figures such as Malcolm X and scenes of protest and resistance, often placed near schools, parks, and housing complexes, making them accessible to everyday community life.
These
murals are also painted using spray paint and wall-based materials, featuring
detailed realism and bold colors to capture attention. The Malcolm X mural
represents Black leadership and empowerment, while the protest scene reflects
tensions with authority and highlights historical struggles for civil rights.
These are the heart and soul of the community as they show how far Watts has
come. Another significant artwork comes in the form of the Watts Towers created
by Simon Rodia. It was built over 33 years by using recycled materials like
glass, tiles, and metal. The structure also includes materials such as broken
bottles, mirror pieces, seashells, and steel framework, all assembled by hand
without machinery. They are a magnificent sight and represent creativity and
perseverance. The WLCAC campus at 10950 S. Central Avenue also contributes to
this landscape, its murals, statues, and exhibits forming a community-funded
cultural park dedicated to teaching the history of racial and economic
injustice.
Work Phase 3: Critical Analysis
Many
of these pieces of art focus on the identity, culture, resilience, and
creativity within a historically marginalized community. Specifically, the
murals demonstrate the collaboration between the community and the power of art
to change the narrative. A community activist involved in curating the Watts
murals shows the role the community had in harnessing the power of public art.
The Watts Towers represent the community's dedication over the years and their
desire for the preservation of these structures, as they hold so much meaning
for them. These works of art purposefully work to counter the negative
stereotypes of the Watts community and focus on its strengths, though voices
such as women artists, immigrant groups, and Indigenous histories remain less
visible in its public art landscape.
Phase 4: Proposal
As discussed, the example of the Watts Towers helps to highlight the power of art to maintain cultural identity despite the inequities that may exist. In order to continue uplifting Watts, the city could support these art initiatives through dedicated funding, preservation programs, and partnerships with local schools. However, increasing the accessibility of information regarding these art projects, such as by installing QR codes to explain the history and meaning behind them, may further increase people's engagement with them. Additionally, giving more opportunities to young and local artists would help keep cultural expression going. While the current artworks strongly show Black identity and unity, more perspectives could be included so all groups in the community are represented. Adding more murals near schools and public spaces would also increase interaction and awareness.








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